Browse Australian Curriculum (version 8.2) content descriptions, elaborations and find matching resources.
F-10 Curriculum
Your search returned 90 results
This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...
This is a hand-coloured lithograph made in 1886, measuring 42.3 cm x 25 cm, based on an original timber panel made at the request of Governor George Arthur (1784-1854) in 1829. It depicts a comic-style narrative in four strips of drawings. Intended to be read from bottom to top, the drawings show: a British man shooting ...
This is a painting on canvas called 'Captain Stirling's exploring party 50 miles up the Swan River, Western Australia, March, 1827'. The painting, measuring 29.2 cm x 36.0 cm, shows a tree-lined section of the Swan River, near present-day Perth. There are two boats: on one of them, men in British navy uniforms are lowering ...
This teacher resource describes how the Catholic Education Office of Western Australia worked to support its Aboriginal Teaching Assistants (ATAs) to undertake approved study programs to improve their knowledge, skills and competencies so that they could meet the needs of Aboriginal students and their families in the school ...
This is a hand-coloured photographic print of an Indigenous Australian from Victoria, taken in about 1858. Measuring 24 cm x 19 cm, it is entitled 'SIMON. An Australian Aborigine of the Yarra Yarra tribe which opposed the landing of Batman 1835'. The man is pictured with a spear in one hand and a wooden club in the other. ...
This is an edited sound recording of Bonita Mabo, widow of Indigenous land rights activist Eddie Mabo. She recalls how her husband declared he would fight for recognition as the owner of his traditional land on Mer Island, also known as Murray Island, in the Torres Strait after learning it was officially regarded as crown ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...
This is a hand-coloured lithograph made in 1847 by James William Giles (1801-70) from a watercolour by George French Angas (1822-86), measuring 35.8 cm x 53.2 cm. It depicts a group of five Indigenous Australian men and a boy holding a spear on the beach at Rapid Bay, South Australia. They are sitting and lying in front ...
This is a colour print of a portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a young Indigenous Australian man known as Gnoung-a Gnoung-a, and also as 'Collins'. He has short, curly hair and a light beard. His red headband is possibly ...
This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...
This is an edited sound recording of an interview with Western Australian Aboriginal educator and author May O'Brien. She recalls the traditional bush lifestyle of her childhood in the eastern goldfields region of WA. She describes living in comfortable humpies made from bush materials and how she was taught traditional ...
This is an edited sound recording, from July 2008, of Indigenous singer-songwriter Jimmy Little. Little tells how his parents lived on an Aboriginal mission, with their movements very restricted. He also recalls going to a movie theatre where people were separated by race, but says examples of racism such as these were ...
This is a black-and-white engraving, measuring 40.4 cm x 57 cm, made by George Rossi Ashton (1851-1942) in about 1914. It depicts John Batman (1801-39) and an elderly Indigenous Australian man leaning over what is probably a treaty document on the decayed trunk of a large fallen tree. They are surrounded by 16 men, many ...
This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...
This is a 17.7 cm x 27.7 cm watercolour showing Indigenous Australian men at a moonlit, night-time corroboree around a central fire in a bush clearing. Five men are dancing in a line on one side of the fire, while another six men stand on the other side, all painted with white ochre ceremonial markings on their legs, arms ...
This is a 17.7 cm x 27.8 cm watercolour of 12 people from the Awabakal language group with their dogs beside the Hunter River in New South Wales. It is a cloudy night but the moon has broken through and is reflected on the water. The people are gathered around campfires, possibly in two separate family groups, each with ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. The man is shown from the waist up, standing with his back to the viewer and his head turned to the right-hand side. The man's facial features are exaggerated and his back ...
This is an edited sound recording of a Northern Territory politician, Marion Scrymgour, talking about her Tiwi and central Australian backgrounds. She says that all her life she has considered herself to be a Tiwi Islander, like her mother. However, she has also recently 'come to accept that I've got this other different ...
In this lesson students explore the importance of country and place to Aboriginal people, with a focus on the Darug proper of the North West Sydney region. Students examine a range of evidence about the Darug to help answer the questions ‘Who lived here first?’ and ‘How do we know?’.