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• TLF-IDM025911

Develop and build engaging characters through stereotypes and using through role play and improvisation using voice, body and dialogue. Perform a devised character scenario to engage an audience.

• TLF-IDM025928

Tune in and tune up your acting skills with these fun drama warm up games that will strengthen you vocally, physically and imaginatively.

• TLF-IDM025935

See how effective comedy is in communicating ideas and engaging an audience. Good performances will have moments of humour and seriousness in order to provide variety and interest in the stories being told.

• TLF-IDM025967

Students develop their mime and physical skills through drama.

• TLF-IDM025937

This resource is designed to support Stage 4 drama students in understanding the characteristics of good radio plays and learning to use vocal expression to create clear and engaging characters. They will rehearse, perform and record a short radio play that can be shared with an audience.

• TLF-IDM025947

Explore a world of play and imagery, where nothing is as ordinary as it seems. Students respond imaginatively when using a stick as a stimulus to explore elements of drama and create characters. Students will develop their expressive skills through movement and voice. Students also create artworks using a stick as a stimulus.

• TLF-IDM020009

Watch as Hannie Rayson describes her early desire to write multidimensional, complex roles for women in her plays. What was this in response to?  Why is it important for audiences to see female characters as well as male characters driving drama in plays? 

• TLF-IDM019045

Theatre can tell powerful stories. In the 1950s, the early years of the Cold War, some Aboriginal people were removed from their land at Maralinga in South Australia to make way for British atomic testing. Ngapartji Ngapartji, a play combining traditional Aboriginal story-telling and contemporary theatrical styles, explores ...

• TLF-IDM018977

Is someone watching you? It's just possible that there's an observer on your bus or train using the scenes and conversations that take place as a starting point for their art. That's what four playwrights did when they travelled together across Sydney on the 428 bus and came up with four completely different ideas for a play.

• TLF-IDM019242

Have you ever wondered how all those people in the background of a film or television drama are chosen? Mary Torrens, a Bundjalung woman from Casino in New South Wales, is the Extras Casting Coordinator for the Indigenous Australian television series 'The Gods of Wheat Street'. Her community connections have enabled her ...