F-10 Curriculum (V8)
F-10 Curriculum (V9)
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In this lesson, students will examine setting as a significant element of fiction. They will learn to use elements of mood and spatial order as methods of creating realistic settings. Students will write a short story describing a scene then create sketches interpreting their peers' writing pieces.
A web page with information, teacher guides and resources on responding to texts. This resource supports the NSW English K-10 syllabus.
A web page resource with information, teacher guides and activities on types of sentences to support the Australian Curriculum in English K–10. It has detailed activities, links to resources and quizzes.
This is a unit of inquiry made up of 12 learning sequences for year 9 in the English for the Australian Curriculum resource. Each learning sequence contains a series of resources, suggested activities to carry out with students and a post-activity reflection. This unit gives students experiences of listening to, viewing ...
This is a presentation of seven slides displaying a small exhibition of children's stories, related drawings and background information about mandalas. The stories and drawings illustrate selected fables as an expression of Buddhist teachings. The presentation was created as a result of an art project to commemorate the ...
Ever dreamed of finding buried treasure in your own backyard? For Natasha Camp, this is a reality. Her 'treasure' is not gold or silver, but the bones of ancient Australian megafauna. In this Heywire photo story, Natasha describes the latest dig at Floraville Station, Queensland, her family's property. It was on this dig ...
Humour is a literary device some writers use to great effect. What are some of the reasons Shamini Flint uses humour in her books? What would be the effect of removing humour from her Diary series about a boy who is bad at sports?
Why might Emily Bronte have included numerous instances of cruelty in Wuthering Heights? Listen as John Bowen, Professor of Nineteeth-century Literature, considers the reasons behind the brutality in the novel. This clip is one in a series of four from the British Library.
How important do you think it is to hear Australian stories told on stage? Listen as Hannie Rayson explains her early beliefs about where great drama comes from. After watching this clip, try writing a dramatic scene that takes place at a family barbeque.
Imagine having your poetry carved in stone. What would you write? British artist Pip Hall carved six poems by Simon Armitage in rocks found in 'quiet, poetic corners of the landscape' between the towns of Marsden and Ilkley in northern England. Listen as Mr Armitage describes this unique project, known as Stanza Stones.
To make a good story, author Tony Wilson says you need your characters to either make difficult decisions or do something difficult. Can you think of any good stories you've read where neither of these things happen? It's very difficult! Think about a tricky decision you've had to make or perhaps it's a tricky thing you've ...
Kate Grenville's multiple-award-winning novel 'The Secret River' explores an earlier period of Australian history. What is it that makes this novel so compelling and troubling for its many Australian readers? As you watch this clip, consider how this book encourages readers to re-evaluate their beliefs and values.
What does it take to remain active and optimistic despite having a serious physical condition? Michael McMahon's photo story shows us that cystic fibrosis hasn't stopped him doing what he loves best. A proud resident of Warrnambool in Victoria, and with a strong family network around him, he is living life to the fullest. ...
How do writers respond to, and write about, the great city of London. Listen as some of London's greatest writers, including Andrea Levy, Jeremy Reed, Ian McEwan and Bernard Kops, reflect on the experience of writing in and about London. Consider what Bernard Kops means when he asks, 'Where was I born after I was born?'
Why might you use humour when presenting your local community to a national audience? In this Heywire clip, an 'ex-bushranger and survival expert' (in reality Hayden Laube) introduces us to the wilds of Port Pirie. After several adventures including fighting off ferocious wildlife, he reflects on the value of life in a ...
How do you write about a place that is disobedient?' Four of Britain's prominent writers consider the emotions that wild places evoke. In this clip, Robert Macfarlane, Simon Armitage, Sara Maitland and Owen Sheers consider the qualities of wildness: silence; escape; beauty; threat; and a sense of being both lost and found.
Every genre has different rules. But once you know them, you can choose which rules you want to break. Find out how you can mix and match genres to create unique, interesting stories!
How do you move your characters forward in a story? A trick Andy Griffiths uses is asking a lot of questions. His favourite question to ask is "what's the worst thing that can happen next?" Try asking yourself that question if you get stuck when writing your next story. In this clip Andy also talks about plot holes. What ...
In this clip from the mid-60s, explore how words and images can be combined to encourage particular interpretations and influence audience response. Explore how some of the inner suburbs of Sydney have been represented in history.
Heathcliff is one of the main characters in Emily Bronte's classic novel, Wuthering Heights. As Professor John Bowen from the University of York notes, we know very little about this mysterious character and his apparent contradictions. Ms Bronte offers suggestions about Heathcliff's background but provides few details ...