F-10 Curriculum (V8)
F-10 Curriculum (V9)
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Investigate the Victorian premier and Commonwealth treasurer George Turner's role in Federation. Examine two different types of biographies of Turner: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: ...
Investigate John (Jack) Want's role as an opponent of Federation. Examine two different types of biographies of Want: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
Investigate the role of John West, anti-transportation leader, Congregational Church minister and 'Sydney Morning Herald' editor, in the events leading up to Federation. Examine two different types of biographies of West: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. ...
Interact with a slideshow of images and text to explore the controversies that the colonies needed to deal with before they could agree on a federated Australia. Investigate the library to find out more about the different views about trade, immigration, transport, defence and rivers. Examine the rivalries among the colonies ...
This is a black-and-white print that shows a group of Chinese carpenters in a workshop at Emerald Hill (South Melbourne) around 1867. A European man, who may be an artist, observes two of the carpenters at work. The carpenters appear to be making celestial carvings, which were spiritual objects for the Chinese, but which ...
This is a sepia-toned photograph measuring 8.2 cm x 13.2 cm. It shows the ruins of the Model Prison at Port Arthur, Tasmania. A semicircular brick wall has three barred doors that open to exercise yards. A fourth door is open, showing another brick wall with steps leading up to the closed door of a solitary confinement ...
This is a sepia-toned photograph of Anzac Cove on the Gallipoli Peninsula in Turkey taken in early June 1915. Boats and barges are moored at several temporary pontoon piers. On the shore are many soldiers, a row of guns and several barrels. The photograph measures 17.1 cm x 27.7 cm.
This is a black-and-white photograph, measuring 18.8 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Having alighted from a horse-drawn stage coach, five members of the party en route to Tumut, New South Wales, are standing ...
This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...
This is a black-and-white photograph measuring 16 cm x 21 cm, taken by Reg Alder in January 1995, of logging trucks involved in a blockade of Parliament House in Canberra. The trucks are large articulated units and one has a banner attached referring to the timber industry. The protest was a reaction against the Australian ...
This is an oil painting measuring 70.5 cm x 90.3 cm, painted about 1855 by Edwin Stocqueler (1829-1895), showing men working on the Bendigo gold field in Victoria. The men are panning, puddling and cradling for gold on both sides of a stream in a tent-dotted valley. The valley is stark, with only a few trees remaining. ...
This is a hand-coloured lithographic print showing Bethany, a village established by German immigrants, at the foot of the Barossa Hills in South Australia in the 1840s. The lithograph was listed as Plate 60 in the book 'South Australia illustrated', published in 1847. It measures 29.7 cm x 34 cm.
This is a photograph made from a glass plate negative measuring 12.0 cm x 16.5 cm dating from between 1900 and 1922. It shows a whale hunt taking place in Twofold Bay on the south-eastern coast of New South Wales. There is a five-oared whaling boat visible, with the captain, George Davidson, standing aft (at the rear), ...
This is a black-and-white photograph that shows a huge polling board with the results of the Federation referendum in Western Australia, which was held on 31 July 1900. The board shows that Western Australia voted to join the Commonwealth of Australia by 44,652 votes to 19,636. It also shows the results for each of the ...
This is a black-and-white photograph of the exterior of an exhibition home made of fibrolite (fibro-cement) that was constructed by James Hardie and Co Ltd (now known as James Hardie Industries). The street outside the home is crowded with people, some of whom have come to view the fibrolite home. The photograph measures ...
This is a black-and-white print that depicts the ill-fated expedition, led by explorer Peter Egerton Warburton, which attempted to cross central Australia in 1873. The print shows expedition members astride camels with Warburton in the lead and an Aboriginal guide on foot in the desert. The print, which measures 35.5 cm ...
This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.
This is an 1853 hand-coloured lithographic print, entitled 'Cradling. Forrest Creek'. It was made by Samuel Thomas Gill (1818-80) from a sketch done on the spot as he watched gold miners cradle for gold at Forest Creek (as it was more commonly spelled), in Victoria. One miner scoops water into the cradle, while the other ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...