F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a larrakitj (hollow funeral pole) sculpture created and painted by Yolngu artist Gulumbu Yunupingu. It depicts the universe ('Garak'); not only all the stars that can be seen with the naked eye but everything that exists beyond. The larrakitj is shown here in a colour image that can be enlarged and is accompanied ...
This is a pair of six-fold screens, painted during the Momoyama period (1573-1615) in Japan, depicting chapter 29 of the epic Japanese novel ‘Tale of Genji’. The screens are shown as an enlargeable image. Text onscreen gives detailed information on the history of the novel, the period it was written and an extensive visual ...
This resource includes an enlargeable image, with corresponding catalogue information, of the surrealist painting 'Objects in the landscape' by James Cant (1911-82). There is also a video with audio commentary, onscreen text on the artist's career and an interpretation of the painting. Cant was influenced by Surrealism, ...
This is a painting by Mangala/Yulparija artist Daniel Walbidi (b1983) depicting his grandfather and grandmother’s country on his father’s side. The painting is shown as an enlargeable image. This work was exhibited as a part of the second National Indigenous Art Triennial, ‘unDisclosed’, at the National Gallery of Australia ...
This is a PDF resource that focuses on the artworks of artist Patricia Piccinini, based on the exhibition 'Patricia Piccinini: Once upon a time ...' at the Art Gallery of South Australia (2011), and explores themes such as biodiversity and biotechnology. It comprises 28 pages and includes background information on the artist, ...
This is a website introducing the exhibition, 'Yoshitomo Nara: Nobody's fool' (2010-11, USA) featuring artworks by the Japanese pop artist. Information about the exhibition is organised under three headings: Isolation, Rebellion and Music. Also included are images and information about Nara's installations (including a ...
This is a mixed media artwork by Mamu/Ngagen/Ngajan artist Danie Mellor (b1971), presenting two fighting kangaroos in the foreground of a ‘traditional’ fine bone china scene. The drawing/collage is shown as an enlargeable image. It was exhibited in the 2008 travelling exhibition of the first National Indigenous Art Triennial, ...
This is a website about the women’s suffrage movement in Victoria in the 19th and 20th century. The resource is presented in three sections: Introductory information; Story Objects; and Story Education Resources. There are 17 Story Objects that tell the stories of how Victorian women won the right to vote, key participants ...
This is a website about rural life in Australia in the 19th and 20th centuries; there is a particular focus on community activities that brought people together to socialise and as a boost for morale. It includes information about community events, social and recreational activities and key organisations and societies for ...
Find a souvenir shop in an Indonesian town. Choose craft items such as a traditional rug, porcelain bowl and pottery jug. Talk with a sales person and a local customer. Use cultural knowledge to ask and answer questions politely. This learning object is one in a series of five objects.
These seven learning activities focus on discussion using a variety of tools (software) and devices (hardware) and illustrate the ways in which content, pedagogy and technology can be successfully and effectively integrated in order to promote learning. In the activities, teachers facilitate discussion and model questions ...
This is a sepia-toned photograph of Anzac Cove on the Gallipoli Peninsula in Turkey taken in early June 1915. Boats and barges are moored at several temporary pontoon piers. On the shore are many soldiers, a row of guns and several barrels. The photograph measures 17.1 cm x 27.7 cm.
This sepia photograph of an Indigenous rock painting shows several stencilled hands and what appear to be boomerangs. In some of the images three fingers and thumb are prominent and in the central image the little finger is bent. The images appear to be well preserved. The photograph was taken in 1938 at Carnarvon Gorge ...
This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.
This 1938 sepia photograph of a large Indigenous rock painting displays many stencilled hands, boomerangs, coolamons and a net-like shape, possibly representing a cycad, on a cliff wall in Carnarvon Gorge in central Queensland. A large rock near the wall shows some engraved art. The photograph was taken during the second ...
This is a broken tortoiseshell hair comb with an extraordinary history. It was made around 1830 and belonged to Betty Guard (1814-70), an early European settler in New Zealand. It has a half-round shape and the remains of broken teeth. It measures 11.0 cm by 8.5 cm.
This pen-and-wash sketch, dated 24 May 1863, shows the distribution of blankets to Indigenous men and women in Brisbane, Queensland. A group of Indigenous people, mostly men, are waiting in line or sitting off to the side as police distribute blankets in front of the Police Magistrate's Court. There appear to be two mounted ...
This is an Aboriginal forehead ornament from the Northern Territory, believed to have been made in the early 1900s. It comprises more than 30 kangaroo teeth, each embedded in beeswax and then attached to a string. Lengths of string extend out at both ends of the ornament. The ornament is 45 cm long and 9.5 cm wide.
These are four conical pandanus baskets from western Arnhem Land in the Northern Territory. All are painted with natural pigments and date from 1912-13. They are between 43 cm and 76 cm high and their diameters range from 14 cm to 24 cm.
This is a watercolour painted by Samuel Gill in about 1850, entitled 'Two natives and child by a creek'. The painting, which measures 10 cm x 12 cm, is also known as 'Aborigine with barbed spear'. The location is unidentified. The image shows three Indigenous Australians - a man, a woman, and a child aged about three. All ...