F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a 52.5 cm x 69 cm, black-and-white photoengraving, of John and Alexander Forrest, James Sweeney, James Kennedy, Tommy Windich and Tommy Pierre with their horses after crossing the Great Victoria Desert in 1874. On the far right is the Overland Telegraph Line, about 120 kilometres north of Coober Pedy in South Australia. ...
This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.
This is a watercolour, measuring 44 cm x 64 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows two drovers camped next to a fallen tree, with their horses tethered and at rest behind them. One of the drovers and a dog remain vigilant, looking towards cattle that are spread out on a wide plain below, ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...
This is an edited sound recording of the Hon Alexandra Shackleton, grand-daughter of the Antarctic explorer Sir Ernest Shackleton. She recounts aspects of his leadership of a 1907-09 expedition to Antarctica, relating how, for the sake of the survival of his team, he abandoned his bid to be the first to reach the geographic ...
This clip from a silent black-and-white home movie shows Torres Strait Islander servicemen undertaking army training drills on Thursday Island (Weiban) during the Second World War. It opens with a long shot of barefoot uniformed men marching in formation, and passing behind a squad of stationary men. It then cuts to shots ...
This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...
Investigate John (Jack) Want's role as an opponent of Federation. Examine two different types of biographies of Want: one short and the other more detailed. Inspect examples of how he was visually depicted in his time. This learning object is one in a series of objects in the 'Biography: Federation people' series.
This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...
This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...
The black-and-white photograph shows Pacific Islander men and women arriving in the sugar port of Bundaberg after being recruited to work as indentured labourers on Queensland's sugar plantations. The posed shot shows more than 60 Pacific Islander men, women and boys and one European on the deck of a schooner at the dock. ...
This black-and-white photograph shows indentured Pacific Islander labourers manually gathering coffee beans from lines of bushes on a Kuranda coffee plantation on the Atherton Tableland in Queensland. This image shows male, female and child labourers standing among the shoulder-high coffee bushes. The Pacific Islanders ...
This sepia photograph shows around 20 Pacific Islander men posed on either side of a narrow irrigation channel in a cane field at Bingera Plantation near Bundaberg in Queensland. Some are holding long-handled hoes or shovels. A junction of the irrigation channel is visible in the foreground with equipment necessary to divert ...
This black-and-white photograph shows schoolchildren digging air-raid trenches in the grounds of Ascot State School in Brisbane, Queensland, on 24 January 1942. Working in the slit trenches, knee deep or deeper, the male students use picks and shovels to dig and remove the earth. A man digging with them on the right is ...
This is a watercolour, measuring 19.4 cm x 25.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows a well-dressed man - presumably the Gold Commissioner - arbitrating a dispute over a claim involving three diggers, probably on the Victorian gold fields. Two of the diggers are in animated discussion ...
This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...
This is a sepia-toned photograph, taken in April 1943, of young women at the South Australian Government Printing Office using large machines to staple ration books.
This is a black-and-white photograph taken in the grounds of the Melbourne Hospital on Christmas Day, 1900. It shows children from the hospital's diphtheria ward seated in a large wicker pushcart. Two nurses, one of whom holds an infant, stand behind the children. On the right of the photograph is a doctor. The photograph ...
This is a black-and-white print that shows the eight-hour day demonstration entering the Zoological Gardens (now the Royal Melbourne Zoo) in Melbourne, Victoria. The large procession of people, some carrying banners and flags, can be seen in the background, while in the foreground, several spectators including a few policemen ...
This is a black-and-white print that shows a group of Chinese carpenters in a workshop at Emerald Hill (South Melbourne) around 1867. A European man, who may be an artist, observes two of the carpenters at work. The carpenters appear to be making celestial carvings, which were spiritual objects for the Chinese, but which ...