F-10 Curriculum (V8)
F-10 Curriculum (V9)
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How was childhood depicted in English literature in the mid-nineteenth century? In this clip from The British Library, two experts in the works of the Bronte sisters discuss the manner in which children were regarded in the 1800s and consider the significance of Charlotte Bronte's accounts of childhood in Jane Eyre. This ...
How do writers respond to, and write about, the great city of London. Listen as some of London's greatest writers, including Andrea Levy, Jeremy Reed, Ian McEwan and Bernard Kops, reflect on the experience of writing in and about London. Consider what Bernard Kops means when he asks, 'Where was I born after I was born?'
Gender and its representation is a significant concern for many writers, readers and critics. Some dismissed Daphne du Maurier's 1938 novel 'Rebecca' as a romantic novel, but du Maurier insisted that she was exploring deeper issues of jealousy and power in relationships. Explore these different readings in this discussion. ...
Bryce Courtenay's novel 'The Power of One' has sold millions of copies worldwide. But just how did a debut novel, set in South Africa and written by a South African author, end up on the list of '10 Aussie books to read before you die'? Find out more in this clip.
Often the impact of a novel lies in its ability to comment on society. In this audio clip, discover how American writer F Scott Fitzgerald challenges readers to reconsider the society in which they live. This clip from 'Books and arts daily' on Radio National is one in a series of eight.
Have you ever had to stand up for someone who no one else believes in? Perhaps someone who is a little bit different? Discover what this could be like as the First Tuesday Book Club discuss Harper Lee's 'To Kill a Mockingbird', a classic novel set in the Deep South of America in the 1930s.
How does Charles Dickens weave Gothic elements into his classic Victorian novel, Great Expectations? Listen as Literary Professor John Bowen explains some of the ways in which Dickens draws on the Gothic tradition to challenge the conventions of Victorian literature. Consider the importance of time, repetition, violence, ...
Finding the right narrative form for a story can be tricky. Watch as David Malouf explains how his experience with poetry informed his prose writing. What are some of the things that writing poetry early in his career taught him?
Judging literature is highly personal. What one person loves about a book can drive someone else crazy. Some books, though, just seem to appeal to everyone! Well, almost everyone. Find out whether this is the case with Tim Winton's novel 'Cloudstreet'.
1984 is a novel by British author George Orwell, published in 1949. How has that period - the late 1940s - shaped the novel? What world event and its consequences led to Orwell writing such a dystopian novel? Professor Bowen claims the Senate House, formerly Ministry of Information, is the basis for the novel's Ministry ...
When someone is telling you a story, do you visualise that story? You're not alone! A good storyteller or a poet knows exactly how to use certain words so the listener will visualise the story or poem in the way the storyteller or poet intends. A few well chosen and crafted words can allow readers to visualise a whole world. ...
Could 'Cloudstreet' be the great Australian novel? Jennifer Byrne, Peter Garrett, Mem Fox, Marieke Hardy and Jason Steger discuss Tim Winton's novel, trying to pinpoint just what makes it a classic example of modern Australian writing. This panel discussion is aimed at people who have already read 'Cloudstreet'.
Do you identify with a book's protagonists when you read? Shamini Flint says she started writing her Sasha series of books about a girl growing up in Asia because she couldn't find books like these for her daughter. She thought it was important for her to be exposed to characters who were like her - someone who looked like ...
People can express their opinions and attitudes in ways other than words. In this clip, join in the discussion about Markus Zusak's popular novel 'The Book Thief', and explore how verbal and non-verbal cues can add emphasis to your speech.
What was Herman Melville aiming for when he wrote his masterpiece? Listen to Jennifer Byrne, David Malouf, Marieke Hardy, Jason Steger and Johanna Featherstone discuss their reactions to 'Moby Dick'. Is the novel just a detailed treatise (commentary) on whales and whaling, or is it an allegory (fable) teaching us about ...
We all like different types of novels. But how do we go beyond just saying a novel is 'good' or 'bad'? Discover what the First Tuesday Book Club panellists say about the classic and perhaps first romantic comedy, Jane Austen's 'Pride and Prejudice'.
How important is the wealth of a potential marriage partner to you? Why was the estate of a potential husband important in Jane Austen's novels? Consider the significance of marriage in middle and upper class England, as explained by the University of Oxford's Professor Kathryn Sutherland. This clip from the British Library ...
What do Jane Eyre and Bertha Mason have in common? In what ways are they different? How do you react to Bertha's character? Listen carefully as Professor John Bowen shares his thoughts about the significance of Bertha in Charlotte Bronte's classic novel. This clip is one in a series of four.
How do you write about a place that is disobedient?' Four of Britain's prominent writers consider the emotions that wild places evoke. In this clip, Robert Macfarlane, Simon Armitage, Sara Maitland and Owen Sheers consider the qualities of wildness: silence; escape; beauty; threat; and a sense of being both lost and found.
'Last night I dreamt I went to Manderley again.' So begins 'Rebecca' by Daphne du Maurier, the 1938 gothic novel set in the mysterious mansion of Manderley, with all its creepy inhabitants. Learn more about this thrilling novel and the gothic genre in this clip, which is the first in a series of two.