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Visual arts / Year 9 and 10

View on Australian Curriculum website Australian Curriculum, Assessment and Reporting Authority
Curriculum content descriptions

Plan and design artworks that represent artistic intention (ACAVAM128)

Elaborations
  • analysing and documenting the practices of selected visual artists and designers, including their use of materials, technologies, techniques and processes, when developing their art and design intentions for representation
  • developing an individual focus for a series of artworks based on a given theme, concept or subject matter
  • Considering viewpoints – forms: For example – If it was made from different material or be produced in a different form, would the meaning of the artwork change?
  • applying their understanding of traditional art, craft and design practices to plan the use of materials, technologies and processes in a contemporary context
  • being imaginative when applying a personal aesthetic, for example, when planning to manipulate and/or appropriate images, objects and spaces into new contexts and meanings
General capabilities
  • Critical and creative thinking Critical and creative thinking
  • Personal and social capability Personal and social capability
ScOT terms

Artistic purpose,  Visual arts portfolios

Interactive

Bird's eye art

A visual arts activity for students using aerial perspective and abstract forms.

Video

A dancer's dancing day

What do dancers need to do to keep at the top of their game and be ready to respond to the demands of working on new choreography? Thomas Bradley, a Sydney Dance Company member, takes us through his daily routine as a full-time dancer during the making of the dance '2 One Another'. The choreographer working with Bradley ...

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The costume designer makes the character

Where would you start if you had to design hundreds of individual costumes for just one scene in a film? That was just one of the challenges for Catherine Martin, the costume designer for Baz Luhrmann's film 'The Great Gatsby', which is set in the 1920s.

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Dancing identity

What do ancient rhythms and the locking and popping of hip- hop dance have in common? Choreographer Shaun Parker was inspired by both ancient and contemporary dance forms when he created 'AM I', a dance piece that explores what it means to be human in the 21st century. Explore how six dancers, a large screen, live musicians ...

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Dress Rehearsal - over to the dancers now

See how, even at the stage of dress rehearsal, a dance performance continues to develop and refine. In this clip choreographer Lucy Guerin discusses the big ideas which have shaped her dance work 'Weather' for her company Lucy Guerin Inc. We see Guerin working on the final details of the dancers' spacing as well as the ...

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Kindred spirits: dancing our identity

Who are we and where do we belong? What and who decides our identity? People often ask these questions, and some may seek to discover the answers to them. In his dance piece entitled 'ID', choreographer Stephen Page explores what makes us similar, what makes us different and what gives us a sense of belonging. The clip ...

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One way to begin a landscape painting

Australian painter Jeff Woodger has a passion for post-romantic landscape painting. His work hangs in collections in Japan and New York, but he spends much of his time in regional galleries around Victoria, viewing their collections of landscape paintings. Woodger maps out the first steps in his painting process as he selects ...

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Can robots draw?

On 26 September 2013, Viennese artist Alex Kiessling created three artworks simultaneously in three European cities. While he was drawing in one city, robots were replicating his marks on paper in two distant cities.<br /><br />Watch the clip to see Kiessling and the robots drawing at the same time.

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Collaboration: Dancers' input, Choreographer's eye

Observe choreographer Lucy Guerin and her dancers as they explore a process of improvisation and taking risks with movement in order to discover new material for the Lucy Guerin Inc production of 'Weather' . This clip describes the importance of developing trust between the choreographer and the dancers, and the exciting ...

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Creating music from guns

Discover why an artist makes musical instruments from guns as we take a look at Mexican artist Pedro Reyes's exhibition 'Disarm' at NGV International, the National Gallery of Victoria. Reyes has, with the help of local artisans, constructed instruments using parts from weapons confiscated by the Mexican government.

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Crowding the dance floor

Imagine yourself in a crowd. Do you feel part of the crowd or do you feel alone in the crowd? 'Assembly', a collaboration between Chunky Move and Victorian Opera, explores these ideas through dance, choral music and sound. Here you can see aspects of the work, which reflects the ways crowds move and act. The work was devised ...

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Filming a surrealist dream

Discover the world of surrealism in film as we take a quick look at the 'Surrealism: The Poetry of Dreams' exhibition at GOMA, the Gallery of Modern Art, Queensland.

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Dancing The Torres Strait winds to Life: Zey

Torres Strait Islander choreographer Elma Kris created the dance 'About' as an expression of the effects of the winds (Gub) on the land, sea and community. The four seasons in the Torres Strait Islands relate directly to the type and direction of the winds. Kris has explored the effects of the Zey (pronounced Zay) - cool ...

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Finding structure in chaos

The inspiration for new dance works can be found in all sorts of ideas and issues. Choreographer Lucy Guerin describes her fascination with chaos and order and how that impacts on her choreographic decisions about how her dancers move and interact - the shape and structure of her dance work 'Weather'.

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Gathering dance forces

Choreographer Stephen Page works with the dancers of Bangarra Dance Theatre (Aboriginal and Torres Strait Islander dancers) and The Australian Ballet to create a new dance for the program 'Gathering'. Discover what happens when two sets of artists with their own cultural traditions, training and approaches to storytelling ...

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Hotham Street Ladies' sweet installation

The Hotham Street Ladies make incredible art out of ... Well, see if you can guess! Intricate wallpapers, delicate glass, prawn tails and woven rugs form part of an elaborate collaborative installation at the Melbourne Now exhibition at the National Gallery of Victoria. This clip explores the how and the why of this delicious ...

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iArt: photography on our mobile phones

What is a 'mobile phone artist'? It is becoming more common for art galleries to hold exhibitions of photography taken exclusively with a mobile phone. In this clip, this emerging trend in the art world and on the internet is considered.

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John Glover: 'Mr Robinson's house on the Derwent, Van Diemen's Land' c. 1838

Artists were often captivated by their first glimpse of the Australian landscape and portrayed the countryside with a sense of wonder. This example by John Glover includes trees with curled branches, brightly lit skies and colour infused hills. How does this image compare to others you have seen of this period?

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Is there a DJ in da house?

Do you want to be a famous DJ? Listen to how Aussie-grown DJ Tyson 'tyDi' Illingworth hit the big time in Los Angeles.

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Charles Conder: 'Hot wind' 1889

In the late 19th century symbolism was used in depictions of the Australian Colonial landscape. This example painted by Charles Conder was painted during the Victorian drought in 1889.How does the artist convey the heat of the Australian landscape in this image? What role does the female figure play in this painting?