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Listed under:  Language  >  Language modes  >  Creating texts  >  Personal responses
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First Tuesday Book Club: Navigating 'Cloud Atlas'

Some authors like to take readers on a journey, none more so than David Mitchell, the author of 'Cloud Atlas'. His novel is a complex tale that attempts to weave together six different narratives over a period of hundreds of years. Join in this discussion and find out if he succeeds. This clip is the second in a series of two.

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The Book Club: Solving 'The Curious Incident of the Dog in the Night-time'

The Curious Incident of the Dog in the Night-time' is described by the panellists as part quest and part detective novel. How do they explain this? What are the two 'cases' that the narrator and protagonist 'solves' in the novel, whether deliberately or inadvertently? What is the effect of having the reader know more than ...

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Heywire: Bikes, cameras and cystic fibrosis

What does it take to remain active and optimistic despite having a serious physical condition? Michael McMahon's photo story shows us that cystic fibrosis hasn't stopped him doing what he loves best. A proud resident of Warrnambool in Victoria, and with a strong family network around him, he is living life to the fullest. ...

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ABC News: Julia Gillard addresses misogyny in parliament

Former Prime Minister Julia Gillard's 2012 address to Parliament, in which she described the Federal Opposition's criticism of her support for controversial politician Peter Slipper as being misogynistic, proved to be one her most memorable. The speech went viral and was reported widely in international media, scoring over ...

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Jane Austen: Expectations and aspirations of women

How liberated were the women in Jane Austen's novels? Were they encouraged to confront the social norms and gender roles of their times? Listen as Oxford University's Professor Kathryn Sutherland shares her thoughts on the aspirations and expectations of middle and upper class women in Ms Austen's works. This clip from ...

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Macbeth: Are you a man or a mouse?

Let's get inside the devious mind of Lady Macbeth! Bell Shakespeare's Kate Mulvany and John Bell explore the methods Lady Macbeth uses to manipulate her husband. This delightfully despicable character knows just which buttons to press! Listen in on the conversation with James Evans and see for yourself.

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Othello: 'Tis a wrong in your own world

What's good for the goose is good for the gander, so the saying goes. But does everyone agree with this? In Act 4, scene 3 of 'Othello', Emilia and Desdemona discuss the concept of fidelity. In doing so, they raise moral questions about gender and equality in Shakespeare's times. Listen as Kate Mulvany and Eryn-Jean Norvill ...

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Hamlet: Mischievous or mad?

The question of whether Hamlet is mad or just pretending to be has plagued critics and theatre-goers alike. In this excerpt from 'Hamlet', the audience is confronted with this very question. Watch Eryn-Jean Norvill and Tom Conroy from Bell Shakespeare as they present the encounter between Hamlet and Ophelia from Act 3, scene 1.

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Romeo and Juliet: The language of true love

There are moments of extraordinary light and beauty amid the tragedy of 'Romeo and Juliet'. Join James Evans and actor Damien Strouthos from Bell Shakespeare as they discuss Act 2.2. Damien explains how Shakespeare's use of language reveals the intense passion, as well as frustration, experienced by Romeo and Juliet.

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The Tempest: Shakespeare's farewell?

'The Tempest' is believed by some to be Shakespeare's final play. With this in mind, could Prospero in some ways represent Shakespeare himself? If so, Prospero's epilogue at the end of the play takes on a new and poignant resonance. John Bell discusses the themes of giving up and letting go with Bell Shakespeare's James ...

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Hamlet: Torment and tragedy

Hamlet is one of Shakespeare's most tormented tragic heroes. Unlike the protagonists of most other tragedies, Hamlet begins the play in a state of anguish. In this early soliloquy, the audience learns why. Tom Conroy from Bell Shakespeare realises Hamlet's agony in this moving excerpt from Act 1, scene 2.

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Hamlet: The depth of Ophelia's despair

Ophelia is the most piteous character in 'Hamlet'. It seems that everyone wants to use her for their own gain. Here, Eryn-Jean Norvill and John Bell from Bell Shakespeare explore this fragile character as they answer questions put to them by interviewer James Evans.

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Macbeth: Realisation and regret

'Macbeth' is a play drenched in bloodshed and death. In this haunting soliloquy, delivered after Macbeth hears of his beloved wife's death, Macbeth seems to emerge from his bloodlust and reflect on what it has achieved. Join Bell Shakespeare's Ivan Donato as he infuses Macbeth's final soliloquy with pathos and regret.

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The Tempest: Two sides of Caliban

Caliban is one of Shakespeare's most fascinating characters. Half human and the son of a witch, Caliban attacks Prospero's daughter Miranda. However, he is not without a sympathetic side. In this scene from Act 1.2 of 'The Tempest', with Miranda Tapsell, John Bell and Damien Strouthos of Bell Shakespeare, Caliban's impassioned ...

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Julius Caesar: Comprehending Cassius

Cassius from Shakespeare's 'Julius Caesar' is a very complex character! Although conspiring to overthrow Julius Caesar, the motivation to do so appears to stem from patriotism to Rome. Or does it? Join Bell Shakespeare's James Evans as he discusses Shakespeare's characterisation of this historical figure with actors Kate ...

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The Tempest: The island of grief

Caliban, the half-human antagonist of 'The Tempest', is often depicted as monstrous. Yet, modern readings of the play characterise him more sympathetically, particularly when viewed through a postcolonial lens. Join Bell Shakespeare's James Evans as he discusses with John Bell how Prospero's treatment of Caliban reflects ...

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Getting inside Hamlet's mind

Imagine your whole world has been turned upside down. How would you react? Join James Evans and actor Tom Conroy from Bell Shakespeare as they explore how this soliloquy from Act 1 reveals Hamlet's fragmented state of mind following the death of his father and, as he sees it, his mother's betrayal. Learn how the soliloquy ...

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Othello: Is Iago the vilest villain?

Some characters we just love to hate! Iago, the villain in Shakespeare's 'Othello', is a perfect example: scheming, manipulative but oh-so-clever. James Evans and actor Damien Ryan both of Bell Shakespeare, discuss the complex role of Iago. Evans explains just how skilfully Shakespeare employs language to fashion the dark ...

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Lady Macbeth: The power of deadly persuasion

After considering the matter carefully, Macbeth decides not to carry out the plan to murder King Duncan. Until, that is, he is persuaded to by his wife. Lady Macbeth is a fascinating character. Devoted wife or villainess? Watch this performance from Kate Mulvany and Ivan Donato of Bell Shakespeare to decide for yourself.

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Writing wild places

How do you write about a place that is disobedient?' Four of Britain's prominent writers consider the emotions that wild places evoke. In this clip, Robert Macfarlane, Simon Armitage, Sara Maitland and Owen Sheers consider the qualities of wildness: silence; escape; beauty; threat; and a sense of being both lost and found.