F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a website about Indigenous experiences of invasion and war during the British invasion, World War I and World War II. The resource is presented in three sections: Introductory information; Story Objects; and Story Education Resources. There are eight story objects that tell the stories of individuals, events and ...
This is a 26-page fact sheet that provides a comprehensive overview of migration to Australia from the first arrival of humans to 2006. It includes details about the major waves of international and internal migration, key events and policies, and individuals and groups that have made significant contributions to the development ...
This resource features the Landmarks gallery, which traces a broad history of Australia since British colonisation in the late 18th century. The exhibition explores ten big themes in the country's past through the stories of Australian places and the people who have lived there. It examines how people have engaged with ...
This is a painting made in 1850 by Australian colonial artist Alexander Schramm depicting Kaurna people, sheltering under gum trees in Adelaide parkland. The painting is shown as an enlargeable image and in a video. Text onscreen gives information on Schramm’s life and practice as he is known for his sympathetic representation ...
This is a sculpture by Trawlwoolway artist Julie Gough representing the experiences of Tasmanian Aboriginal children living with non-Aboriginal people. It was exhibited in the second National Indigenous Art Triennial,' unDisclosed', at the National Gallery of Australia (NGA). Further information about the artists and the ...
This is a resource about the Australian Agriculture Company, Australia's oldest company, from its establishment in 1824 to the 20th century. It includes details about the initial purpose of the company, the key figures and families involved, the important decisions and the development of Australia's agriculture industry. ...
This is a resource about the environmental, climatic, natural disaster and pest challenges faced during settlement in Australia. It includes details about land management techniques; extreme and unique weather conditions, including floods and droughts; bushfires; animal and plant pests; and water management. Text, images, ...
This is a rich collection of stories that focuses on the life experiences of two individuals, one of Greek heritage and one of Polish heritage, who immigrated and settled in Victoria post World War II. The resource explores how these people shared their cultural heritage and how this enriched Australian life at this time. ...
This is a website about rural life in Australia in the 19th and 20th centuries; there is a particular focus on community activities that brought people together to socialise and as a boost for morale. It includes information about community events, social and recreational activities and key organisations and societies for ...
This is a resource about life on the land in Australia in the 18th, 19th and 20th centuries. It includes details about land grants allocation, the establishment of Australia's first farms, the condition of the land, the processes used to farm the land, and case studies about the early farming families in Australia. The ...
This is a hand-coloured lithographic print showing Bethany, a village established by German immigrants, at the foot of the Barossa Hills in South Australia in the 1840s. The lithograph was listed as Plate 60 in the book 'South Australia illustrated', published in 1847. It measures 29.7 cm x 34 cm.
This is a hand-coloured lithographic print prepared by John Allen in 1852 from a drawing by George French Angas. The lithograph, with text, measures 26 cm x 35.5 cm and shows Forest Creek at the Mount Alexander gold diggings in central Victoria.
This is a hand-coloured aquatint (a print made from an engraving on copper) showing a boat's crew from a British whaling ship about to harpoon a whale. Measuring 18 cm x 22.8 cm, the print appeared in a book entitled 'Foreign field sports, fisheries, sporting anecdotes ...'
This is a hand-coloured lithograph of 'License [licence] inspected, Forrest [Forest] Creek', a watercolour by S T Gill. It was printed as a plate in part one of 'The Victoria gold diggings and diggers as they are', published in London in 1853. The drawing depicts a man holding a rifle in one hand and a mining licence in ...
This is a black-and-white print, measuring 17.7 cm x 21.6 cm, created from a wood engraving. It shows two men seated on a horse-drawn, two-wheeled buggy. Nine miners are gathered by the buggy, awaiting the delivery of letters, reading letters or newspapers and exchanging news. Although not visible on this image, the title ...
This is the damaged front cover of a three-page score for the song 'Australia Draws her Maiden Sword'. It depicts Australia as a maiden drawing her long sword and preparing for imminent conflict. Behind her, troops are shown marching out of their encampment. On the bottom of the cover in copperplate are the words 'WRITTEN ...
This is a black-and-white photograph showing large groups of poorly dressed indentured Pacific Islanders planting sugar cane on a plantation at Mackay in Queensland. Fourteen or more Pacific Islanders are manually placing sugar-cane cuttings at regular intervals in long furrows. Two mounted white men oversee their work ...
This is a black-and-white photograph showing indentured Pacific Islanders and their families posing by their slab-hut homes, probably on a coastal Queensland sugar plantation. They are wearing Western-style clothes, with the women in long skirts and the men wearing jackets and trousers. The huts appear to have been constructed ...
This black-and-white photograph shows indentured Pacific Islanders methodically hoeing weeds from a large sugar-cane field at Herbert River in north-eastern Queensland. They wear Western-style clothes and hats. A white man, only just visible on the left and facing the Islanders, stands in front of the line of labourers, ...
This is a coloured print, measuring 19.4 cm x 25.2 cm, by the famous colonial artist Samuel Thomas Gill (1818-80), published in 'The Australian Sketchbook' in 1865. It shows two splitters cutting slabs from the felled trunk of a tree using wedges and mallets. A bullock dray stands nearby, stacked high with slabs, and the ...