F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a sepia-toned photograph measuring 10.3 cm x 5.0 cm, taken in outback Australia in the early 20th century, probably by John Flynn (1880-1951). The photograph shows three men, one of whom is an Afghan cameleer, loading a camel with two wool bales. A camel already loaded stands in the foreground with other camels ...
This is a hand-coloured lithographic print showing Bethany, a village established by German immigrants, at the foot of the Barossa Hills in South Australia in the 1840s. The lithograph was listed as Plate 60 in the book 'South Australia illustrated', published in 1847. It measures 29.7 cm x 34 cm.
This is a hand-coloured lithographic print prepared by John Allen in 1852 from a drawing by George French Angas. The lithograph, with text, measures 26 cm x 35.5 cm and shows Forest Creek at the Mount Alexander gold diggings in central Victoria.
This is a black-and-white photograph of the exterior of an exhibition home made of fibrolite (fibro-cement) that was constructed by James Hardie and Co Ltd (now known as James Hardie Industries). The street outside the home is crowded with people, some of whom have come to view the fibrolite home. The photograph measures ...
This is a black-and-white print that depicts the ill-fated expedition, led by explorer Peter Egerton Warburton, which attempted to cross central Australia in 1873. The print shows expedition members astride camels with Warburton in the lead and an Aboriginal guide on foot in the desert. The print, which measures 35.5 cm ...
This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is a photograph, an albumen print measuring 13.6 cm x 20.1 cm, taken in the 1890s and showing three camels sitting outside commercial premises in Bayley Street, Coolgardie, Western Australia. The camels are not tethered or harnessed in any way. With the exception of a woman who appears to be patting a camel, all the ...
This is a hand-coloured lithograph, measuring 15.8 cm x 19.5 cm, entitled 'A BENDIGO MILL'. It was made by Samuel Thomas Gill (1818-80) from a sketch he did on the spot as he watched a boxing match in Bendigo, Victoria, and it featured in his publication 'Sketches of the Victoria gold diggings and diggers as they are'. ...
This is a black-and-white photograph, measuring 18.4 cm x 24.0 cm, taken in 1902 during a tour of inspection by senators from the Federal Parliament of possible sites for the proposed federal capital. Senators and local dignitaries are posing in groups on a hillside, ostensibly discussing the merits of a site at Tumut in ...
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is a photograph made from a glass plate negative measuring 12.0 cm x 16.5 cm dating from between 1900 and 1922. It shows a whale hunt taking place in Twofold Bay on the south-eastern coast of New South Wales. There is a five-oared whaling boat visible, with the captain, George Davidson, standing aft (at the rear), ...
This is a black-and-white photograph that shows a huge polling board with the results of the Federation referendum in Western Australia, which was held on 31 July 1900. The board shows that Western Australia voted to join the Commonwealth of Australia by 44,652 votes to 19,636. It also shows the results for each of the ...
This is a photograph, possibly taken by John Flynn (1880-1951) and measuring 8.2 cm x 8.2 cm, of an elderly woman seated at a pedal wireless transmitter with three girls behind her. There is no microphone but the woman is operating a morse key. The woman and one of the girls are wearing earphones. The words 'AIM Pedal Transmitter' ...
This is a sepia-toned photograph measuring 8.2 cm x 13.2 cm. It shows the ruins of the Model Prison at Port Arthur, Tasmania. A semicircular brick wall has three barred doors that open to exercise yards. A fourth door is open, showing another brick wall with steps leading up to the closed door of a solitary confinement ...
This is the damaged front cover of a three-page score for the song 'Australia Draws her Maiden Sword'. It depicts Australia as a maiden drawing her long sword and preparing for imminent conflict. Behind her, troops are shown marching out of their encampment. On the bottom of the cover in copperplate are the words 'WRITTEN ...
This is a pen, ink and crayon drawing, measuring 18.8 cm x 26.8 cm, of a man driving a horse and cart, on the back of which is a full water barrel. Buildings and trees are sketched in the background and at the top right is a set of signalling flagpoles. A handwritten inscription at the bottom of the picture reads: 'Aquarius ...
This is a 52.5 cm x 69 cm, black-and-white photoengraving, of John and Alexander Forrest, James Sweeney, James Kennedy, Tommy Windich and Tommy Pierre with their horses after crossing the Great Victoria Desert in 1874. On the far right is the Overland Telegraph Line, about 120 kilometres north of Coober Pedy in South Australia. ...
This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.
This is a watercolour, measuring 44 cm x 64 cm, by the famous colonial artist Samuel Thomas Gill (1818-80). It shows two drovers camped next to a fallen tree, with their horses tethered and at rest behind them. One of the drovers and a dog remain vigilant, looking towards cattle that are spread out on a wide plain below, ...
This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...