F-10 Curriculum (V8)
F-10 Curriculum (V9)
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Aboriginal history, self-determination and identity are examined in this teaching and learning eBook. The book draws on the lived experience of First Nations peoples drawing on historical record, cultural protocols and community connections to explore perspectives on traditional culture and leadership in the face of colonisation. ...
In 1949, after many years of being paid only in rations, Banjo Morton and seven other Alyawarra men decided they wanted proper wages for their work as stockmen and station hands at the Lake Nash cattle station in the Northern Territory. They walked off in protest. This rich media site records the history of that protest ...
This work sample demonstrates evidence of student learning in relation to aspects of the achievement standards for Year 10 History. The primary purpose for the work sample is to demonstrate the standard, so the focus is on what is evident in the sample not how it was created. The sample is an authentic representation of ...
This collection of resources focuses on Vincent Lingiari, his struggle and determination for rights for Indigenous Australians. Find out more about the Wave Hill Walk-off and what Lingiari achieved on behalf of his people.
This unit of work consists of four activities that examine the causes and consequences of the 1854 Eureka Rebellion. The activities include a decision-making exercise through which students consider the rebellion from the point of view of the diggers and the realities of life on the goldfields. A short video provides background ...
This is an assessment package that uses the Year 10 Australian Curriculum history achievement standard to gather evidence about how well students have demonstrated what they know, what they understand and what they can do for the depth study 'Rights and Freedoms (1945 – present)'. Students plan and deliver a spoken presentation ...
This is an online exhibition showing the objects, artefacts and images that make up some of the treasures of US history. The treasures shown in this exhibition document eight of the challenging situations and issues that have helped to shape the USA. Topics include: revolution and the new nation; slavery; western expansion; ...
How does it feel to be paid less than another person doing the same job, because of the colour of your skin? During the 1960s, this was the plight of many professional African Americans who were not paid equally for doing the same work as their white counterparts. Listen to David Dinkins, a New York lawyer, share his experiences.
Imagine a country arming its police force with tanks, heavy weapons and chemicals to combat its own people. This extract shows the escalation of violence and the results of racism in the USA in 1968. Army, police and fire units are shown practising new riot control activities in preparation for expected violent demonstrations ...
Find out about the frustration and anger of African Americans and their experiences of racism in the 1960s. Discover what disadvantaged African Americans living in Harlem in 1968 had in common with African Americans living in the wealthy, advantaged suburbs.
What would you do if you found out that you were being sold inferior groceries, at higher prices, just because of the colour of your skin? Harlem resident Cora Walker explains that this was the situation faced by members of Harlem's African American community in the late 1960s. See how the residents joined together to address ...
Imagine the internal conflict for an African American policeman in 1968 New York. Against a background of race riots stimulated by racial inequality, African American policeman Chief-Inspector Frederick Waithe must convince African Americans to act within the law. At the same time he sympathises with their grievances.
Imagine that, like many African Americans growing up before the sweeping changes in America in the 1960s, you cannot eat alongside white people, go to white schools, or even ride in the same part of a public bus, even though slavery was abolished more than a century before. This 1968 clip explores the experience of Mae ...
Why have the results of the 1967 Referendum had a lasting symbolic significance? Civil rights activist Faith Bandler describes a long and well-organised struggle for the referendum and the reasons for it. Find out what percentage of Australians voted to alter the Constitution so that Aboriginal and Torres Strait Islander ...
Imagine what you could achieve if you joined together with people who thought the same way as you did about an important issue? In a panel interview in 1960, US entertainer and rights activist Paul Robeson points out the potential political power African Americans could wield if they voted as a bloc, or single group.
What happens when the members of a society feel like they have no hope? This is the situation faced by members of Harlem's African American community in 1968, who find themselves in a cycle of poverty. Civil rights activists like Al Cook offer a solution to the problem: fight back.
You may have heard of the 1967 referendum that granted Aboriginal and Torres Strait Islanders some rights in Australia, but how did Indigenous rights evolve from there? Many, like the Black Power activists, believed the referendum didn't go far enough, especially in relation to land rights, and their causes gained prominence ...
This is a famous black-and-white anti-discrimination photograph, also widely known as 'American Gothic, Washington, DC'. It shows Mrs Ella Watson, an African American cleaner at the Treasury in Washington, USA. She is standing stiffly in front of the US flag, with a broom on one side and a mop on the other. The photograph ...
This is a black-and-white photograph showing an old African American man sitting in a doorway and holding a horn once used to summon slaves to work at sunrise. The photograph was taken near Marshall in Texas, USA, by photographer Russell Lee.
This is a black-and-white photograph showing African Americans at a roadside dance hall outside Clarksdale in Mississippi, USA, one Saturday evening in November 1939. Couples are jitterbugging to music from a jukebox while other people, mostly men, are standing around. The photograph was taken by Marion Post Wolcott.