Japanese / Foundation to Year 2 / Understanding / Systems of language

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Curriculum content descriptions

Recognise sounds and rhythms of spoken Japanese, and learn how sounds are produced and represented in the three different scripts

[Key concepts: mora, rhythm, intonation; Key processes: listening, distinguishing, recognising]

 (ACLJAU120)

Elaborations
  • recognising the concept of the basic unit of sound in Japanese (‘mora’: モーラ or 拍(はく)), for example, いいえ has three moras
  • understanding that the independent nasal sound ‘n’ (ん) has a mora of its own, for example, こんにちは
  • understanding that when pronouncing Japanese it is important to keep the length of each mora even
  • noticing that statements and questions have different intonation patterns
General capabilities
  • Literacy Literacy
  • Critical and creative thinking Critical and creative thinking
ScOT terms

Intonation,  Japanese language,  Mora

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3 direct matches to ACLJAU120

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Work sample Year 1 – 2 Japanese: Cultural expressions and gestures pair work

  • TLF-IDA004428

This work sample demonstrates evidence of student learning in relation to aspects of the achievement standards for Year 1 - 2: Cultural expressions and gestures pair work. The primary purpose for the work sample is to demonstrate the standard, so the focus is on what is evident in the sample not how it was created. The ...

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Work sample Year 1 – 2 Japanese: Body parts writing and describing

  • TLF-IDA004426

This work sample demonstrates evidence of student learning in relation to aspects of the achievement standards for Year 1 - 2: Body parts writing and describing. The primary purpose for the work sample is to demonstrate the standard, so the focus is on what is evident in the sample not how it was created. The sample is ...

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Text

Work sample Year 1 – 2 Japanese: Body parts

  • TLF-IDA004425

This work sample demonstrates evidence of student learning in relation to aspects of the achievement standards for Year 1 - 2: Body parts. The primary purpose for the work sample is to demonstrate the standard, so the focus is on what is evident in the sample not how it was created. The sample is an authentic representation ...

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